When my kicky Parisian architect friend returned from Big-D, he came back raving about the friendly and flashy city where the official slogan is "Live large. Think big." I'll say big; indelibly marked in my memory of the early 1990's Dallas landscape is the image of a huge American flag, about the size of ten king-sized bedsheets, gloriously draped from the top ledge of a tall building. Everything is big in Dallas, including its urban arts district, which today is the largest in the nation, or the Galleria Mall, the epitome of the upscale American shopping center, and tooted by USA Today as "one of the top ten places to spend it all." Its design was inspired by the famous Italian commercial mall, Galleria Vittorio Emanuele built in Milan in 1867, and seemed to be my French friend's favorite Dallas space.
Dynamic Dallas is also a part of the fourth largest metropolitan area in the United States, which includes Fort Worth, home of the Kimbell Art Museum--a fine example of architectural modernism and a reference for museum design. Constructed from 1967 thru 1972, the acclaimed building is the work of architect Louis Kahn. It's formed by a series of long parallel barrel vaults, each one open along the length of its crown where double curved skylights provide diffused natural light for optimal viewing of artwork. The museum which houses a small but select collection of European, Asian and Precolumbian works, also produces exceptional, world-class temporary exhibits.
From 1994-1997 the Kimbell unabashedly flaunted the pedigree of its chief curator during that time, Joachim Pissarro, great-grandson of the French impressionist painter, Camille Pissarro. Another interesting tidbit about the museum is that in 1981 it purchased a painting that strongly resembled a work of the great 17th century artist from Lorraine, Georges de La Tour. Because it was thought to be a copy, its price was much lower than an authentic Georges de La Tour would have been. The Kimbell bought the piece considering it to be a good deal for a beautiful work, regardless of who painted it. A wise decision, because later advanced identification methods proved it to be a real Texas-sized bargain and a true Georges de La Tour, Le Tricheur à l'As de Trèfle. (Cheater with the Ace of Clubs) A variant of the same painting, Le Tricheur à l'As de Carreau (Cheater with the Ace of Diamonds), is at the Louvre in Paris.
Muy bonito! Find luscious in-season fresh fruit and vegetables neatly stacked all in a row at the Dallas Farmers Market, located downtown. Practically a drive-thru, it's a long hangar full of stands with parking in front of the vendor of your choice. (Don't forget, Dallas is extra roomy car country where distances separating two points can be far.) It's where the locals go and open 362 days a year. Extra sweet.
Photos
Text & photos ©2009 P.B.Lecron with the exception of photos of Kimbell Art Museum: ©2008 Kimbell Art Museum